

The iconography became very popular in the catholic city.įrancken's experienced virtuosity and the characteristic tonal painting indicate a date of circa 1635 (cf. One of the designers in the Triumph studio was William Towns. Neptune and Amphitrite were often equated with Antwerp's city patrons, the river god Schelde and the personification of Antwerpia. The first project was to replace the Rover P6 and Triumph 2000/2500 ranges with a single.

A red cloth around the two gods focuses the attention of the viewer to the centre of the composition, working through the large group of monochrome figures, and also referring to the erotic aspect of the scene.
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Depictions of the wedding procession were among the most popular themes from the workshop of Francken. In a small cave on the coast gods have gathered for the wedding of Neptune, got of the sea, and Amphitrite, one of the 50 daughters of Nereus. His characteristic glazing technique and style can be seen in the shells, fishes, the dolphin and the sea-horses. His large workshop worked to satisfy the great demand for the popular characteristic cabinet pictures with small figural staffage he finished many of the paintings himself. This work is painted by an artist belonging to the workshop of the Antwerp painter Frans Francken.
